Tuesday, 10 November 2009

Aspiration Road


In the period following the disbanding of the Beatles, a consequence of which was the apparent decline of Liverpool's mystique, the unassuming road designated the A41 (which for me starts at Woodside in Birkenhead and meanders through nine English counties, finally petering out in London's Oxford Street), came to represent, a lifeline to a better future; a potential 'Road to Riches'.

It was the road taken by the X1, the overnight coach and cheaper alternative to the train from Liverpool Lime Street to London Euston. The near mythical single decker would depart from Birkenhead's Chester Street at around midnight, to begin its slow route south.

Steering clear of motorways, and taking in stops at many ill lit unknown towns enroute, this was the transforming journey, dreamed of and taken by many thrifty and ambitious individuals, keen to break free from a now lackluster Merseyside, in search of the bright lights, excitement and wealth that they believed only London could offer.


The Journey Begins










Method/Means/Objective


During my photographic journey, I will be using a specially made large format pinhole camera to document selected locations along the two hundred mile length of the A41. Traveling in an adapted van, which will also serve as a darkroom, I envisage carrying out my A41 documentation in several pre-planned stages, over a period of one year. My overall objective will be to compile a unique dossier of this enigmatic road, not only through the large format pinhole exposures and simultaneous audio I produce, but also through the more conventional means of 35mm analogue and digital imaging.








Pinhole Capture



The primary images will be produced from positions in close proximity to the road, using a large format pinhole camera and photographic paper. Depending upon the available light, they will require between one minute and thirty minutes exposure. These protracted exposures are not only necessary owing to the relative insensitivity of the orthochromatic material and the tiny aperture through which the image forming light must pass, but they will also serve to highlight, (through the unfamiliar emptiness they present) the unambiguous properties and poetic permanence of the static elements relating to the road, rather than the mundane profusion of transient vehicles that frequent it. Ideally, the photographic paper negatives would be processed in situ, on the day of their exposure, in order to verify their content and quality, before moving on to the next location.


Not the A41



Not the A41 / St Nicholas Place and New Quay, Liverpool


Not the A41 / Queen Square, Liverpool

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